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Hop against Homophobia and Transphobia

May 17th, 2013 (09:11 am)

So, today is International Day Against Homophobia and Transphobia http://dayagainsthomophobia.org/ and to mark the day lots of people around the web are taking part in the (blog) Hop against Homophobia and Transphobia.

hop

I was amused in a slightly sad and bitter way to find that the instructions that came with participation in this event refer to it as the Hop against Homophobia, and in the ‘what to include’ section offers the advice to ‘give your message on homophobia’ and ‘do whatever else you feel like: link to sites you’re familiar with that focus on fighting homophobia’. Look at that URL again if you don’t believe me.

I’m all for blogging against homophobia, but it’s a sad reflection of society’s priorities that even the ‘how to’ section of the ‘hop against homophobia and transphobia’ forgets to mention the possibility that you might want to blog about transphobia instead.

As the mother of a transgender child, I’m very aware of how the world is stacked against him. It was OK when he was pre-puberty and everyone assumed he was a boy anyway, but puberty heralded bullying and withdrawal and endlessly having to think up reasons why he couldn’t go swimming without a wetsuit, why he couldn’t do PE at school (where he would be forced to use the girls’ changing rooms,) why he couldn’t go into toilets when he was outside the house, leading to him giving up drinking altogether, etc.

They’re all little things, I know. Little things attended with massive existential anxiety. Little things attended with society’s constant incomprehension that there’s even a problem – its attempts to push the blame on him for being difficult. I’m not even mentioning the statistics on self-harm and suicide among transgendered children, although as a mother I live in fear for him. And I’m not even mentioning my continuing fear that he will be targeted for transphobic violence or even murdered, as happens to so many transgender people.

But I am thinking, damn, it’s hard when the very movement that’s apparently set up to raise awareness of this decides he doesn’t exist, or that his problems are not worth talking about.

So, rather than get all angry, I’ll use this opportunity to big up the Tavistock and Portland Clinic, who are doing something constructive:

http://www.tavistockandportman.nhs.uk/GIDSresearch

and the NHS which has so far been more understanding and more helpful – and more willing to believe him – than I had ever been led to believe.

~

In accordance with the blog-hop instructions I’ll be offering a book to a random commenter, so check back in a few days to see if your name came up and if you need to tell me where to send it.

Also, since this is a sensitive subject that can easily devolve into arguments in which real-life people get hurt, I will be strictly monitoring and controlling the comments. In contrast to my usual behaviour on my blog, I’m not interested in an intellectual debate about this. I have done the debate already and I’ve come down on the side of believing my son.

~


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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An interview with Charlie Cochrane

May 15th, 2013 (10:48 am)

LOL! It looks like we planned this as a swap, but actually it just turned out this way. Charlie’s one of the first people I ever got to know in this genre, and still one of the nicest. It was a great experience, coming in as a new author to have a posse of people to hang out with and keep each other encouraged. Much has changed since the days when Charlie, Erastes, Lee Rowan and I set up The Macaronis and were mostly of one mind about historical fiction, but the friendship doesn’t wane.


Anyway, enough of that, and on to the interview :)


Promises_Made_Under_Fire_final


What upcoming project of your own are you most excited about?


You’re going to see a theme for my answers, in that you’ll ask me for one example, and I’ll give you three. Or more. Maybe I’m generous or maybe I’m just too loquacious. I was the same in exams, always wrote too much.


The definite thing I’m most excited about is the next Cambridge Fellows book, Lessons for Suspicious minds, which should be out around September. It goes back to 1909, so Jonty’s parents will be swooping in on Mrs. Stewart’s broomstick!


The indefinite things are even more exciting, but they’re all “don’t know yets”. I have a story long listed for a mainstream anthology, another entered in a competition and a story submitted to an agent.


Who is your favorite fictional character created by someone other than yourself?


Going to have to give more than one.


Aragorn, of course, because he’s handsome and tough and noble and heroic and just…cor.


Laurie Odell, because he’s beautifully depicted, wonderfully authentic and just a bit tragic.


Miss Marple, because she’s so well observed. In terms of wheedling out sensitive information, MI5 would be better off employing old ladies than young studs.


What are you enjoying reading at the moment?


My bargain basement treasures. I picked up six volumes of illustrated yearbooks from 1911 through to 1916, full of news and pictures and wonderful stuff. The fact that they came to £3 in total gobsmacked me. Clearly this is an era I read and write about (most of my books are set in the early years of the twentieth century) so not only will they be great for research, they’ll hopefully provide a plot bunny or two.


I always say you can’t beat contemporary sources for both research and inspiration purposes. You get a feel for the cadence of the language, for one thing.


Tell us about the books you have out


Blimey. There are so many of them, from short stories through to series – where to start? I’ve written about Weresloths, cross dressers, Regency curates, Paralympic swimmers and, of course, Cambridge dons who like to do sleuthing on the side. My most recent book takes me back to what seems to be my comfort zone, WWI. Promises Made Under Fire is about what happens when just about everything you knew (or thought you knew) about your best friend turns out to be a lie.



There are more stories, of course; the easiest way to find a list of/links to all my stories is down the left hand side of my blog!


What type of music, if any, do you listen to while you write?


Any and everything, so long as it requires no concentration. Sometimes I listen to sport (football is especially useful as it’s pretty bland) or audio books/radio drama, but they tend to be a touch distracting. I’m listening to Stylo by Gorillaz at present, but that could as easily be the Beach Boys or Luciano Pavarotti.


Do you think you have specific themes you continue to return to?  If so what are they?


I have certain eras, definitely. Writing 1900 to 1920 feels like coming home, maybe because I’ve always read and enjoyed so many stories from around that time (Jerome K Jerome, Conan Doyle, etc). As for themes, I guess that one I tend to return to is a pair of manly men, if that makes sense. My heroes are rarely in the outwardly effeminate end of the spectrum (except for Francis from “All That Jazz”) and usually like sport and showing their affection by insulting each other.


I suspect a faith element usually plays a part in my plots, although maybe that’s my own spirituality coming out?


What one thing are you the most proud of in your life?                          


I should probably say producing (with the help of the long-suffering Mr. Cochrane)  my three beautiful daughters, but if I’m allowed to be entirely self centred and shallow I’d say


a) my double first from Cambridge


b) having fed Red Rum a Polo mint


c) the fan e-mails I get from gay men


Do you characterize by observation or introspection?


Alex, I don’t even understand that question. I am the world’s worst at analysing my writing (or plotting a story or anything else which is remotely sensible). What did Adrian Plass say? Something like “Writing is easy, you just sit at a typewriter and open a vein.” I just sit down and see what appears on the screen. (Do not try this at home, folks!)


Who is your favorite author and what is your favorite genre to read?


How long have we got? I read all sorts of stuff, fiction and non-fiction. Among my favourites are:


Jerome K Jerome, for his humour. Jonty and Orlando are heavily influenced by the three men in their boat.


Patrick O’Brian for use of language, breadth of vision and fantastic characterisation.


Mary Renault for being able to say more in one line than most writers can in a whole page.



Have you seen those ‘author’s cave’ photos that show the office/study/corner of the table where famous writers work? What does yours look like?



The Cochranes had a bit of a move round last year, swopping three rooms about, so our study is a converted bedroom. It’s east facing so gets lots of morning sun, is light, airy and has a view over both gardens and fields and the M27. (I’m a London girl, I don’t mind watching a bit of traffic.)


There’s a desk in here, a bookcase, a couple of comfy chairs, a filing cabinet and a Bose system, for that all important music and sport. I “Cox and Box” in here with Mr Cochrane, who is very tidy, which is just as well. It could be awful if one of us was a neat freak and the other wasn’t!


Charlie Cochrane author pic


You can reach me at cochrane.charlie2@googlemail.com (maybe to sign up for my newsletter?) or catch me on Facebook, twitter, goodreads, my website or my blog. All over the place like a rash, really. I tend to blog about anything that takes my fancy, so I can promise that it isn’t all “Buy my book”. I have author guests every month, which is smashing fun (they always have such interesting answers) and I may just mention rugby occasionally. Sometimes. Once or twice a year.















Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Lovely Charlie blogging for me

May 14th, 2013 (06:22 pm)

So, my dry spell continues, as you can tell from the state of the blog. But I can at least manage to rouse myself and say “Look! I’ve been interviewed by Charlie Cochrane, the star and inventor of sweet m/m, the author of the well beloved Cambridge Fellows series.”

Charlie always thinks of really good questions, so if you ever wanted to know which imaginary fellow of mine to take along on a potentially perilous date, you can find the answer here: http://charliecochrane.livejournal.com/268181.html

As for me, I am finally writing again – working on Blue Eyed Stranger – but I haven’t yet got enough tension in my spring to manage blogging as well. It will come, eventually. In the mean time, thank you ever so much to Charlie for having me :)


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Some geekiness: Thor 2, Stargate Universe, Once Upon a Time

I guess the big news is the new Thor trailer

YouTube Preview Image

To which my major reaction is What the hell have they done to Malekith? This is what Malekith looks like in the comics

malekith1

and this is what he looks like in the trailer

thor2-elf-blog630-jpg_170502

Why? Are they afraid we won’t know he’s evil unless he’s ugly? Concerned they’ll end up with another Loki on their hands with everyone fangirling the wrong bloke? If so, they should put some thought into making Thor himself more interesting, because I generally don’t end up on the side of the villains unless I’ve already dismissed the heroes as not being worth my while.

Which, you know… God, Thor, could you be any more offputting? “Hello Jane, you haven’t seen me for years, you’re coming with me to Asgard and I’m not even going to ask if now is a good time.” “Hello brother, I despise you, come and help me save all the things I love, and when you try to turn the situation to your own advantage, I will kill you.”

I always used to derive the only pleasure I ever got from James Bond films (of the classic Roger Moore era) by hoping that this time the villain would give him the kicking he so richly deserved. It’s pretty much the same for Thor, I live in hope that one day Loki will really show him what humilation means – because the three days he spent with Jane in film 1 was not it.

Thor represents privilege piled upon privilege – white, male, warrior, prince, hero, god. For me, having been born a second class citizen by virtue of my sex, Loki’s struggle to get someone to take him seriously despite being born wrong is much more easily empathized with. There is a vicarious delight in watching him not let the bastards grind him down.

On a happier fandom note, I managed to finally catch two shows I hadn’t managed to see when they were first out – Stargate: Universe, and Once Upon a Time.

I’m surprising myself by loving Stargate Universe. I was on the verge of never watching it again after the first episode I saw (which was the one in which they have to find lime to renew the air-purifiers), but something kept me hooked. I liked the fact that the entire plot of this episode involved such a non-glamourous but vital task. It was refreshingly realistic for space opera. Plus I had an argument with DH over whether Dr. Rush, the rebarbative scientist, was going to end up as a bad guy or not. He was on the side of ‘Rush is obviously going to turn out evil.’ And I was on the side of ‘Nah, people will realize that his apparent cold heartedness is actually only a concern for the big picture, and he and emotion-driven military leader Young will end up working together like Spock and Kirk.’

So far it seems that we were both wrong, which I think is marvelous. Rush and Young have both turned out to be morally ambiguous ruthless gits, and I am very much enjoying the Rush and Young show.

I can’t quite see what all those other people are doing on board, mind you. I suppose there’s Chloe, the damsel in distress, Eli the author self-insert (plump geek boy saves the day on a regular basis?). There’s TJ, the potential love interest for Young and… and there are some other people, who I’m hoping will become relevant later.

I feel bad for liking a show where there aren’t any main female characters at all, and the real interest of the thing is watching the power struggle between the man of science and the military man. But it’s done so well, and I care about both of them so much that I can’t really mind. (Seriously, Thor, you need some nuance, like these two.)

Once Upon a Time, I’ve only watched one episode of this, and while it was pleasant and surprising to watch a questing party comprised entirely of women set out to battle a female villain, what was with the relentless focus on family? The whole “OMG, I’m barren, it’s the worst thing in the world. I’m so ashamed, I can’t tell anyone.” “Never mind, we can fix it by magic if I, an older and therefore expendable woman, sacrifice myself for the purpose.” “Huzzah, now my life is worthwhile!” really bugged me. I felt embarrassed and apologetic on behalf of women everywhere who either can’t have or don’t want children.

And you know, it would be really nice if some of this plethora of female characters was interested in something other than their family. So far only the evil queen is interested in anything outside her home, and she’s evil… So I don’t think this is quite as progressive as it maybe thinks it is.

At any rate, I won’t be watching again. I’m going back to watch Young and Rush dither over whether to kill each other or not, while trying to get around the fact that a small community of people on a knife edge of survival would really be much better served if they learned to work together.


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Write On: write on.

April 15th, 2013 (07:27 am)

389px-William-Adolphe_Bouguereau_(1825-1905)_-_Inspiration_(1898)

Okay, so we’ve talked about the equipment you need to write your novel, about finding time and space for writing. We’ve considered structure, setting, characters and plot plans, and we’ve done as much research as we need to do to get to the stage where we feel it’s possible to write about this setting.

If we’re a highly organized planner we now have character sheets, timelines, several binders full of notes on settings and other such stuff, and we have a nicely structured plot plan to write to. If we’re a pantser we hopefully have enough of an idea about the main character, the setting and what’s about to happen next to dive in.

Now we can finally start writing.

There’s really only one secret you need to know in order to finish the first draft of your novel, and that is “don’t stop moving forwards until you’re finished.”

When I started writing, I wrote on a schedule which went like this: I wrote the first five chapters of a novel in a state of high enthusiasm, thoroughly enjoying myself and the book. Then, somewhere around chapter six I had a brilliant idea of how to make the first five chapters better by completely rewriting them. So I completely rewrote them. But by the time I’d finished the rewrite I had a better idea still, so I rewrote them again.

After several cycles of this, I would be so fed up that I never wanted to see the book again, and I would be seized by the wish to write a different brilliant idea.

So, I would set that book aside, unfinished, start a new one, and the cycle would start all over again. By this means, I wrote at least six beginnings of novels, which I still have in my desk drawers. I still take them out every now and again to see if I want to finish them, and I still can’t bear to work on them ever again.

If this doesn’t happen to you, then you are fortunate, and possibly quite rare, because it seems to be a common affliction of writers.

If it does happen to you, I have one guaranteed solution which I have tested and adopted myself. It is this – don’t stop writing, and don’t go back to rewrite until you have finished the end of the first draft.

By all means, if you have a brilliant idea which changes everything, make a note that it needs to be introduced earlier and then carry on writing as if you had already done so. By all means change everything from the point where you currently are – everything that only exists in idea form anyway – just don’t go back and change what you did write until you’ve finished.

This seems to be an odd way of going about it, but a novel is more prone to stall than a vintage car going up hill in too high a gear with water in the petrol and snow on the road – and with equally disastrous results. You need to do everything you can to maintain forward momentum if you’re not to end up tobogganing backwards off the slope to ruin.

If you don’t stop to rewrite, if you don’t stop at all until you’ve finished the first draft, then you will have a finished first draft, it’s as sure as summer. And OK, it may be a very rough first draft, but it’s easier to edit something which exists than it is to edit something that doesn’t, and five chapters of perfection doesn’t actually do you anywhere near as much good as a whole novel no matter how rough it is.

I offer this advice quite strongly, because it has been of immense use to me. However, I know that I am not all writers. I’ve met some people who, when their novels stalled 5 chapters in, began another novel, and then they finished both novels by working on one when their muse wouldn’t let them work on the other one. If you get fretful and bored working on one novel at once, maybe this is the solution for you. It doesn’t work for me, but there’s no law against trying it and seeing if it works for you instead.

A lot of writers insist on the idea that you should write your first draft from start to finish without troubling yourself with worry about how good the words are. Don’t stop to polish, just get the words down, they would say. Don’t let your inner editor get its claws into the first draft, this time is time for your inner creative genius to roam free, unfettered by things like grammar or attempts at poetic expression.

I tend to be of this school of thought myself. I find it’s much easier to concentrate on making up whole worlds and people from thin air if you don’t also have to concentrate on making your sentences beautiful. I like to do a content draft and several editing drafts, so that in the first draft all I have to think about is what happens next. Then I work on beautifying that later. It gives me only one type of writing task to do at once and means I can concentrate on each type (writing v revising) fully each at its own time.

However, if you really can’t stand moving on from a day’s work knowing that it’s imperfect, there’s nothing wrong with writing a first draft slowly and carefully, mindful of things like word choice and grammar right from the start. Then you can open the next day’s session with editing what you did yesterday, and proceed to further writing as soon as that’s done. As long as it doesn’t stop you moving forwards, it’s fine.

Actually the plain truth is this – the only reason first drafts don’t get finished is that authors choose not to finish them. You can finish anything if you just refuse to allow yourself not to. Whether or not you finish is entirely up to you. Just do it, therefore, and don’t make excuses. As Chuck Wendig says – “Finish your shit.”

That is the secret formula to finishing a novel. As easy as that. Don’t stop writing it until it’s done.

You’d think it didn’t need saying, but so many authors buy into the idea that writing is a matter of being swept away by the muses that when they get to the inevitable point where writing feels like hard work they stop and wait for the muses to come and rescue them. The muses, being faery creatures, laugh their little socks off at this and take it as an opportunity to pixie-lead the writer off down another dead end path, and much effort is expended achieving nothing. As with genius, writing is 1% gambolling with the muses, 99% nose to grindstone. The muses will do their bit, but you have to your part too, and sadly, your part is everything.

I was about to say that was all there was to say for this part. Whether you finish or not is your decision. If you want to finish, just keep writing until you have.

OTOH, there may be some cases where you grind to a halt and you simply cannot force yourself to work on this thing again. There may be some cases where you’d rather spend your leisure time stacking shelves at the supermarket than carrying on with this book, because you loathe it. You loathe the characters, you loathe the plot and you find the whole thing bores you to tears.

If you really can’t push through a block like this, and you know because you’ve tried, and you know that you normally can push through, because you’ve finished several books already and recognise the normal pitfalls of the process, then a really powerful repellance from a book may be a sign that there’s something wrong with the book as it stands.

Then it’s worth stopping for a couple of days and thinking about it. Is this actually a book you want to write at all? Why are you writing a book about clog dancing in the Urals when you’re really interested in Texas cup cake bakers? Are you doing this because other people want you to? Because statistics proved more people wanted to read about the Urals? In short, do you hate it because it’s the sort of thing you hate? (As opposed to hating it for no good reason because that’s just how a writer’s emotional roller coaster goes.)

If you hate it because it’s the sort of thing you hate, but you’re writing it because it’s the sort of thing you think you should write, then the entire project is fundamentally wrong-headed and your best solution is probably to stop writing it as soon as you can and start writing something you actually want to write instead.

If you hate it for some smaller reason, such as because your main character has grown up to be a complete git who you’d rather see eviscerated than happy ever after, then you have the chance of a less drastic solution. Kill off the MC and replace him with someone you enjoy being around, then write on. The plot’s boring? Re-plot and write on. The setting’s actually kind of pretentious? Put them all on a boat and get them out of there, you can finesse the start to match in the second draft.

If you can salvage a novel that you’ve been working on for five chapters, it’s well worth doing it, even if that means jettisoning your entire plot from that point and reworking it. It’s always a shame to have to abandon any of your work. But on the other hand it’s also better to abandon the millstone around your neck if it means you avoid drowning. Just imagine the millstone is made of gold and only drop it if you’re absolutely certain you have to. Otherwise, write on until you reach the end.


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Sunday Snippet – Blessed Isle

April 14th, 2013 (05:45 pm)

Excerpt from Blessed Isle by Alex Beecroft

BlessedIsle_500x750

1790 British Age of Sail

For Captain Harry Thompson, the command of the prison transport ship HMS Banshee is his opportunity to prove his worth, working-class origins be damned. But his criminal attraction to his upper-crust First Lieutenant, Garnet Littleton, threatens to overturn all he’s ever worked for.

Lust quickly proves to be the least of his problems, however. The deadly combination of typhus, rioting convicts, and a monstrous storm destroys his prospects . . . and shipwrecks him and Garnet on their own private island. After months of solitary paradise, the journey back to civilization—surviving mutineers, exposure, and desertion—is the ultimate test of their feelings for each other.

These two very different men each record their story for an unfathomable future in which the tale of their love—a love punishable by death in their own time—can finally be told. Today, dear reader, it is at last safe for you to hear it all.

http://www.riptidepublishing.com/titles/blessed-isle

EXCERPT

It is too late now to cut a long story short, but I will endeavour not to protract it for very much longer. On Edwards’ fifth turn about the deck the powder monkey returned, bringing with him, up the companionway, a rusty-aproned surgeon, and, leaning on his arm, a man I knew. Ned Compton, coxswain’s mate in the Yarmouth, now holding in his bursten belly with a cut down pair of lady’s stays. “Oh, aye, I know Mr. Thompson, sir. Lieutenant in the Yarmouth, he was. Did hear he’d made captain of the Banshee. Congratulations to you, sir.”

“Thank you, Ned. It’s good to see you again.”

He chuckled. “Aye, main glad you must be right now.”

Things became a little more comfortable after that. They let us out. We were given hammocks to sling in the wardroom, and a change of clothes from the slop chest. Either by way of apology, or as a scheme to investigate us further, Edwards invited us to one of the most painful dinner parties I have ever attended, scrutinising my table manners, peppering us with suggestions of what we should have done to prevent the disaster to our fleet. “Also, I wonder,” he said, “what you found to occupy yourselves with, all that time alone on so blasted an isle.”

We made him some noncommittal answer but the thought lodged in my mind. As we plunged back into human society, played cards in the wardroom, stood watches for fellows who were grateful to take a few hours extra rest, the thought of what I had lost began to grow on me like a canker.

I became acutely aware of the space that separated me from Garnet. My hours of solitude, or in the company of other men, seemed grey and barren. Yet my hours with him were a torment of constant awareness and yearning. Without him in the hammock beside me, hot and restless and fidgeting in his dreams like a big dog, I could not sleep. My heart seemed to beat in a cavern within my chest, its tiny flickering unable to fill the dark. A constant squirm of anguish lodged there, like a worm in the flesh.

We breakfasted together and sat next to one another at the wardroom, and yet it felt to me as though he was dead and I was not being allowed to mourn.

Pandora worked her way slowly through the islands of this little known part of the world. The mutineers sweltered in their cage by day and shivered through the exposed nights. I found myself drawn to them, and would spend much of my free time standing by the ship’s rail as near to the cage as I could come. I knew I deserved to share their fate, and in sharing their penance I felt a little calmer.

On our last night aboard as free men, Garnet joined me by the rail. The fitful wind veered into the east. About the bow the water broke into twin curves of luminescence, and the wake stretched out behind us in a sheet of pale green light. A moon like hammered gold hung above us. Other than ourselves, only a midshipman occupied the quarterdeck, and he drowsed by the capstan. From the forecastle came a mutter of voices speaking low and tense. I had noticed a deal of whispering aboard Pandora. She was not a happy ship.

Garnet turned his head to listen, and the faint gilded light flowed across his face. Something in the line of his throat, the shadow beneath jaw and cheekbone, and the little inwards tuck his mouth made at its ends, stopped me dead. Pure beauty, almost too glorious to endure.

He looked at me, puzzled, as my mouth opened and my hands began to tremble. Such dark eyes, intimate as a man’s own fantasies. “Sir?” he asked, briefly uncertain. And then he understood. His mouth curved up, and his face lit with delight. He tugged me forward by the cuff. I swear to you I felt his touch on the material of my sleeve as though it were on my yard. I was mad—I freely admit it—mad with loss and need and regret. I think perhaps I wanted to be caught. I had tasted freedom and knew I could no longer live without it.

We made it no further than down the quarterdeck stair before he pulled me into the shadow of the great cabin, where between the ship’s boats and the arch of deck above lay a patch of shadow so dense we could not see each other, let alone be visible to others.

I hope those ladies who read this will forgive me for the comparison, but, ever had to piss? Ever had to hold it in so long it passed through pain to making you think you were going to die of internal strangulation if you did not let go? Ever have one of those dreams where you cannot find the privy, no matter how you search? You’ll sympathize with my state then. I wasn’t thinking, I’d got so used to having him when I wanted, I just couldn’t hold on any longer.

Dear God the bliss! We were all mouths and teeth and heat, and his hand’s in my hair and the other hand’s down my trousers and he’s going “I never thought… oh Harry… I never thought I’d play this game with you.” And then the doors open and the captain comes out and everything shatters into smithereens like a plate dropped on a stone floor.

Disgrace. Edwards paced up and down behind his desk, hands linked behind his back, lips pursed as though he had bitten into a lemon. Marines behind us, and our wrists tied with rope, and the cabin seemed to pulse ruby red with the force of everyone’s disgust.

I’d been afraid of it all my life, and here it was—exposure, ridicule, abomination, like being flayed and laid skinless on a nest of ants.

“My God,” Edwards turned and glared at us. “In front of my very cabin. Do you have no control at all? No self respect?”

There’s a kind of joy on Garnet’s face, and seeing it shifts everything inside my head. By gradual stages, like sailing out of a fog, the obstruction cleared, my confusion lightened, my shame thinned and lifted: I understood. Garnet needed no refuge, no hidden isle moated all around by impassable sea. Inside himself, where no one else could touch him, he had learned how to be free. How not to be ashamed. “We thought you might like to watch, sir,” he said.

Edwards’ disapproval flickered for a moment. Something intense went through it, fast as lightning. It looked to me a lot like panic. The effort of compressing his mouth back into scalpel thinness made him dab at his forehead with his handkerchief. Reaching for his logbook, he opened it, took out the sheaf of ill written notes that marked the latest page.

“I am,” he rustled through them, brought a sheet out and pressed it to his lips, “a little behind with my paperwork. I have not yet written up my log of the past fortnight.” Setting his elbows on the table, he steepled his hands, as if praying. “There is nothing in here to suggest we ever picked up two castaways from Ducie island.”

I could all but hear the creak of strain as he winched his mouth up at the ends into the straight line of a satisfied smile. “Until I have recorded that fact, you are legally missing, presumed dead.” He crumpled the sheet on which, I guess, his record of our rescue lay scrawled, looked at me with the triumph of a man dismissing inconvenient tedium. Then he threw the only evidence of our existence out of the stern windows, where it bobbed for a while like a duckling in our wake, before sinking.

“If I never record it, there is no legal proof that you were ever here. This frees me of the necessity to bring you back to England for trial. For your guilt, I have the evidence of my own eyes.” Over my shoulder he exchanged a glance with the sergeant of marines. “There can be only one appropriate punishment. You will be hanged from the yard arm until you are dead, and your bodies disposed of in the sea.”


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Some linkage

April 12th, 2013 (11:59 am)

Edited quickly because this felt like something to share with my friends-list. HaikuJaguar on publicity and artistic insecurity:

http://threejaguarscomic.net/

~*~*~*~

Here is a lovely review of Captain’s Surrender http://julian-griffith.livejournal.com/27644.html which makes me smile not only with the joy appropriate to a good review but with the additional joy appropriate to a review that really seems to get what you were trying to do.

I’m also hugely pleased and honoured to have The Wages of Sin reviewed in Wilde Oats http://www.wildeoats.com/review_WagesOfSin.html which is a lovely magazine to which I keep meaning to submit a story or two, but never seem to write anything short enough.

Thanks so much to both of you!

2606230-captain_jack_harkness

And on a completely different note, I was very happy to find both asexuals and the gender fluid on this list, but while the factoid about Captain Jack Harkness makes so much sense, I suspect they might be wrong on the osmosis front. At least, it’s never worked like that for me.

In fact, seriously, go to the tumblr for more Facts about Queers. I never knew the reason why I had such difficulty with computers was because I was non-binary, but that makes so much sense too :)

~*~*~*~

I have a few ideas for some longer blog posts, hurray! But now it’s just a matter of sitting down and writing them. And as one of them is about the fact that I have converted my computer desk to a standing desk, this might be easier said than done ;)


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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A Reading from Under the Hill: Bomber's Moon

April 11th, 2013 (09:54 am)

I’ve been saying I should do this for a long time. Now I’ve finally bitten the bullet and done it.

In my time I’ve made a lot of book trailers, but I only have Windows Media Maker to do it with, which generally means it’s some pictures and some text with an unrelated soundtrack. I’m fairly happy with the videos of that sort that I have made. This one for Shining in the Sun still makes me laugh:

https://www.youtube.com/watch?v=sYexMsHldFo

but I thought it was getting a little passe and I should do something different next time. The difference is me! Here I am reading into a camera, horribly nervous and amused about it. I had to cut off several minutes from the beginning where I just looked at the lens and said “I don’t think I can do this.”

It turned out I was wrong :)

YouTube Preview Image

 


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Too Many Fairy Princes & the Reluctant Berserker

April 9th, 2013 (04:54 pm)

Eeee! I have cover art for Too Many Fairy Princes! Or at least, I have seen a mock up of what the cover art will be like when it has finally been made. I didn’t really have a clear idea of what I wanted to see on this cover. Maybe a view of London with the two heroes on top of it? But I didn’t see how they would manage to get a good photo of anyone sufficiently elf-like to stand in for Kjartan (who looks a bit like this:)

elflord_c

Click on the picture to get to Ulrike’s gallery

But they did! I can’t reveal it yet, but I’m ever so pleased. Samhain’s art department goes from strength to strength.

~

A second cause of squee is that I’ve also had the edits back on the manuscript of Too Many Fairy Princes, and in the “Coming Soon” section it says The Reluctant Berserker.

I hadn’t announced that The Reluctant Berserker had been accepted for publication by Samhain, because I haven’t yet had the contract, but I think that having it announced in the back of the book I’m working on now counts as official enough confirmation for me to go public with it. So look out for that one either late 2013 or early 2014 :)


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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Blogging Burnout

April 7th, 2013 (02:31 pm)

If you knew me in real life, you’d know that I was the one who sat in the corner of every meeting, listening and not saying anything. On rare occasions I might burst out with some wildly odd opinion on which I held forth for half an hour before realizing that everybody’s eyes had glazed over and people mainly wanted me to just shut up again. But mostly I would be practicing the shutting up and lurking appropriate to someone who is generally an outlier in any statistical curve.

Which means this whole blogging thing is very against the grain for me, and I have, yet again, run out of things to say. So I’m going to throw the floor open and say “ask me something! Anything!”  Is there anything you want my opinion on? Post it here and I will answer it if I can :)

Tentatively relevant picture:

Meno_Mühlig_Holzsammlerin_weist_Ritter_den_Weg

Asking for directions.

It’s either that or I go back to the idea of Sunday Snippets – posting an excerpt from one of my books every week – and does anyone really want that?


Mirrored from Alex Beecroft - Author of Gay Historical and Fantasy Fiction.

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